Here are a couple names that may not get mentioned much on “City Lights”: Lauryn Hill and Mariah Carey. Those two artists served as sources of inspiration for Austin-based artist Deborah Roberts, as well as providing the title of her new exhibit.
“The Evolution of Mimi,” which conflates the album titles “The Miseducation of Lauryn Hill” and Carey’s “The Emancipation of Mimi,” puts selections from the last decade of Roberts’ work onto the walls of the Spelman College Museum of Fine Art.
“Lauryn Hill was so powerful and she knew who she was and her own identity,” Roberts says. “And Mariah Carey was going through this thing where people [were questioning] whether she was black or not, whether she was black enough. I wanted to merge those two ideas into what was black feminism.”
Read this story now for free
To continue reading, sign up for our newsletter and get unlimited access to WABE.org
You can select your preferences for news and local content. We will never share your email address. Learn how your newsletter sign-up will support WABE and Public Media