Georgia Museum of Art reaches historic agreement with descendants of enslaved ceramicist

The pottery work of David Drake.

Courtesy of / Georgia Museum of Art

The Georgia Museum of Art announced an agreement Wednesday with the descendants of ceramicist David Drake, allowing the museum to own and display the artist’s work, while recognizing his heirs as the rightful beneficiaries.

Also known as “Dave the Potter,” Drake was an enslaved African American who displayed high talent in his artwork when residing in the pottery center in Edgefield, South Carolina, during the mid-19th century.

According to Drake’s heirs, he was forced to “create tens of thousands of ceramic vessels,” where he inscribed his pots with his name, the date and original verses of poetry.



As of 2026, 250 identifiable pieces are estimated to remain in the possession of museums and private collections.

“David Drake created work of extraordinary skill, beauty and utility while enslaved — work he was never permitted to own, sell or pass on to his own family,” said David Odo, former director and chief curator at the Georgia Museum of Art, in a Wednesday press release.

“This agreement with The Dave the Potter Legacy Trust LLC is a small way in which the Georgia Museum can recognize this history. I’m grateful to his descendants for their trust in this process and honored that our visitors will now encounter his work knowing his family’s voice helped shape how his story is told.”

Yaba Baker, fourth great-grandson of David Drake, says that the historical significance of the agreement brings justice to his family after 175 years.

“Just imagine how it would feel if your ancestor created artwork of incredible value, but neither he nor his family were ever allowed to benefit from the work,” said Yaba Baker, fourth great-grandson of David Drake.

“We consider the Georgia Museum a partner in our efforts to recover our ancestor’s legacy, and we are grateful to the museum’s leadership for acting quickly and being responsible stewards of his artwork.”