Sculptor Noah James Saunders casts light and shadow in first solo museum exhibition

‘Williams not Whitman’ with shadow - 28x20x7" - galvanized steel wire, steel rod, gessoed 5x5’ wood panel (credit Pound Media LLC)

Like the work of a master alchemist, metals come to life in a first-time solo museum exhibition by wire sculptor Noah James Saunders.

The Georgia native’s series of steel and copper wire portraits, some inspired by poetry and others lit spectacularly to produce hypnotic shadow displays, are on view at the Marietta Cobb Museum of Art, through June 8. Saunders recently joined “City Lights” host Lois Reitzes to share more about his wonders in wire.

The sculptor began working with wire as a child after his elementary school teacher introduced him to pipe cleaner figures. “It was like that day I knew that that’s what I wanted to do,” he said. “I went home and I destroyed every spiral-bound notebook that my parents owned.”



Thirty-five years later, wire remains his primary medium.

A turning point in his work came with the discovery of a high-powered scuba light, nicknamed “Big Blue,” that enabled him to cast crisp, legible shadows without a darkened room.

“I’ve always known how powerful the shadows were,” Saunders said. “But I’ve never had to articulate it, because no one’s ever really seen it.” Now, with portable lighting, he can present pieces in public that transform dramatically depending on the angle of illumination—expressions changing from “disgusted… to joyful… to arrogant.”

Saunders’ newest body of work is based on poems by his friend Marc Zegans, whose book “Lyon Street” inspired a sculptural response to specific lines.

“It’s a dialogue of his younger self telling the story of what happened to his older self, who’s writing it down,” the artist said. “That really touched me.”

For more information, visit mariettacobbartmuseum.org.