Black History Month is over, but these movies are forever

Last month, I had the good fortune of revisiting one of my creative projects I’m most proud of: The Black Film Canon, a collection of great and culturally significant films by Black directors as voted on by esteemed film critics, scholars, and filmmakers. Not long after it was originally published in Slate in 2016, my co-author Dan Kois and I were already talking about updating the list – mere months later came the releases of “Moonlight” and “Get Out,” just for starters. (Fun fact/humble-brag: When I interviewed Barry Jenkins about “Moonlight” for my old podcast Represent he deemed our inclusion of his debut feature “Medicine for Melancholy” in the canon as “the highlight of [his] life.” Fortunately, I’m pretty sure he’s had several moments since then that have far surpassed this honor.)

Seven years later, Dan and I finally got around to expanding the list, and we published The New Black Film Canon earlier this week as a collaboration between Slate and NPR. We asked a bunch of experts, including Gina Prince-Bythewood, Robert Townsend and W. Kamau Bell, to send us their top five Black-directed movies released since 2016; we also sought out suggestions for any pre-2016 films they felt we missed out on the first time around. Some of the picks we received were hardly surprising – as you might’ve guessed, the aforementioned “Get Out” and “Moonlight” came up on our participants’ lists over and over again).

But among the happy outcomes of curating a list like this are the surprises and discoveries that accompany it; while I studied film in college and grad school and have made it a point throughout my career to seek out as many kinds of Black films as possible, there are plenty of movies I still haven’t seen or haven’t even heard of. How is it that it took me so long to watch RaMell Ross’ mesmerizing documentary “Hale County This Morning, This Evening?” Well, thanks to it landing on several of our participants’ lists, I finally have.