Arts, News

Anjali Enjeti Features Poetry, Multigenerational Timelines In ‘The Parted Earth’

Anjali Enjeti joined “City Lights” to discuss her novel "The Parted Earth.”
Anjali Enjeti joined “City Lights” to discuss her novel "The Parted Earth.”
Credit Courtesy of Anjali Enjeti

When Britain ended its occupation of India in 1947, the withdrawal was messy, violent and rife with tragedy.

The region was divided into majority-Muslim Pakistan and majority-Hindu, modern-day India.

In tribute to the more than 1 million who died, the survivors and the descendants of the partition, Anjali Enjeti has written the novel “The Parted Earth,” a sweeping narrative that incorporates poetry and multigenerational timelines.

She joined “City Lights” host Lois Reitzes via Zoom to discuss and share excerpts from the story, its embedded poems and history.

“It is such a tumultuous and disruptive time for all these characters, and, of course, many of them have been living in harmony for many years,” said Enjeti. “Of course, there have always been tensions, and strife and wars between the various religions that inhabited the subcontinent, but this accelerated, this was heightened due to British colonization of India. It is the colonization that made these differences so apparent, and … that capitalized on the differences in culture, community and faith. It really was a severance of what was then known as Indian identity. And so what is happening at this time is grief.”

In an overview of the story’s first timeline, Enjeti recounts, “Deepa is a 16-year-old Hindu girl who lives with her parents … and she is starting to feel the effects of the partition of her homeland.”

Enjeti continues, “She’s coming to understand the fact that everyone she knows and loves, who is Muslim, is going to have to move, they’re going to have to abandon everything they’ve ever known, their homes, their communities.”

Deepa meets and falls in love with Amir, a boy her age. The two communicate through artwork left for each other to discover — Deepa writes poetry, and Amir makes origami.

Enjeti shared excerpts from the poems Deepa creates.

“Personally, I find poetry, generally speaking, to be a great healer of traumas,” Enjeti said. “There is no adequate language to describe what is happening to their lives; there is no language to describe the kind of violence and hostility that they’re facing … and it’s poetry that gives these characters the space to process what they are witnessing.”

A parallel storyline takes place 60 years later in Atlanta, with Deepa’s granddaughter, Shan, on a quest to understand her history.

The narrative lingers in Atlanta’s Botanical Garden, where Shan encounters the Gardens’ real-life “Earth Goddess” sculpture.

“It is here where [Shan’s friend] Chandeni asks Shan, in an attempt to get her to take the steps necessary to heal, whether she has named the baby that she lost,” said Enjeti, recounting the miscarriage that upends Shan’s life. “If she’s going to heal at all, it’s going to come from reconnecting with all of the lives that came before her, and understanding the decisions and also the tragedies that all of her family members made.”

The timelines converge in the form of the Partition Project (based on a real-life effort called the 1947 Partition Archive), an undertaking by characters to help collect the stories of survivors from the days of Partition.

“It is this archive, the Partition Project, that eventually brings many of the characters’ stories of Partition to light, and it is how they begin to find one another,” says Enjeti.